Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of ALTDORFER, Albrecht 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
4715 Christ on the Cross (detail)  gvcvc ALTDORFER, Albrecht Christ on the Cross (detail) gvcvc c. 1520 Wood Museum of Fine Arts, Budapest
4714 Christ on the Cross (detail)  vfgf ALTDORFER, Albrecht Christ on the Cross (detail) vfgf c. 1520 Wood Museum of Fine Arts, Budapest
4712 Christ on the Cross between Mary and St John ALTDORFER, Albrecht Christ on the Cross between Mary and St John Panel Staatliche Museen, Kassel
4713 Christ on the Cross f ALTDORFER, Albrecht Christ on the Cross f c. 1520 Wood, 75 x 57,5 cm Museum of Fine Arts, Budapest
42954 Christ Taking Leave of his mother ALTDORFER, Albrecht Christ Taking Leave of his mother mk170 dated 1520 Oil on lime 139.2x108.7cm
4710 Communion of the Apostles ALTDORFER, Albrecht Communion of the Apostles 1516-18 Oil on wood, 42 x 32,5 cm Staatliche Museen, Berlin
4699 Danubian Landscape g ALTDORFER, Albrecht Danubian Landscape g 1520-25 Parchment on wood, 30 x 22 cm Alte Pinakothek, Munich
4725 Landscape  kk ALTDORFER, Albrecht Landscape kk Etching Graphische Sammlung Albertina, Vienna
42953 Landscape with a Footbridge ALTDORFER, Albrecht Landscape with a Footbridge mk170 1518-1520 Oil on parchment 42.1x35.5cm
4698 Landscape with Path ALTDORFER, Albrecht Landscape with Path c. 1518 Parchment and wood, 42 x 35,5 cm National Gallery, London
4697 Landscape with Satyr Family ALTDORFER, Albrecht Landscape with Satyr Family 1507 Panel, 23 x 20 cm Staatliche Museen, Berlin
4705 Loth and his Daughters jj ALTDORFER, Albrecht Loth and his Daughters jj 1537 Oil on limewood, 107,5 x 189 cm Kunsthistorisches Museum, Vienna
63550 Lovers ALTDORFER, Albrecht Lovers 1530 Fresco, 36 x 40 cm Museum of Fine Arts, Budapest This fragment of a fresco was executed for the decoration of Kaiserbad in Regensburg. (Other fragments are in the St?dtishes Museum, Regensburg). The importance is given to these fragments by the fact that no wall other wall paintings survived from the masters of the Danube school (except a damaged fresco by Wolf Huber in Neuburg am Inn.Artist:ALTDORFER, Albrecht Title: Lovers Painted in 1501-1550 , German - - painting : other
4704 Lovers ddff ALTDORFER, Albrecht Lovers ddff c. 1530 Fresco, 36 x 40 cm Museum of Fine Arts, Budapest
4717 Mary with the Child  kkk ALTDORFER, Albrecht Mary with the Child kkk 1520-25 Wood, 49,4 x 35,5 cm Museum of Fine Arts, Budapest
4709 Nativity hh ALTDORFER, Albrecht Nativity hh c. 1513 Wood, 36 x 25,5 cm Staatliche Museen, Berlin
4707 Rest on the Flight into Egypt ALTDORFER, Albrecht Rest on the Flight into Egypt 1510 Oil on panel, 57 x 38 cm Staatliche Museen, Berlin
4708 Rest on the Flight into Egypt (detail) kk ALTDORFER, Albrecht Rest on the Flight into Egypt (detail) kk 1510 Oil on panel Staatliche Museen, Berlin
4706 Saint George in the Forest  ggg ALTDORFER, Albrecht Saint George in the Forest ggg 1510 Parchment on lime panel Alte Pinakothek, Munich
4711 Schone Maria ALTDORFER, Albrecht Schone Maria Wood Stiftskirche St. Johann, Regensburg
4723 St Florian Taking Leave of the Monastery ALTDORFER, Albrecht St Florian Taking Leave of the Monastery c. 1530 Oil on wood, 81,4 x 67 cm Galleria degli Uffizi, Florence
4700 Susanna in the Bath and the Stoning of the Elders ALTDORFER, Albrecht Susanna in the Bath and the Stoning of the Elders 1526 Wood, 74,8 x 61,2 cm Alte Pinakothek, Munich
4719 The Arrest of Christ ALTDORFER, Albrecht The Arrest of Christ 1509-16 Oil on wood, 129,5 x 97 cm Augustiner Chorherrenstift, St Florian bei Linz
4703 The Battle of Alexander (detail)   bbb ALTDORFER, Albrecht The Battle of Alexander (detail) bbb 1529 Lime panel Alte Pinakothek, Munich
4702 The Battle of Alexander (detail)  vcvv ALTDORFER, Albrecht The Battle of Alexander (detail) vcvv 1529 Lime panel Alte Pinakothek, Munich
4722 The Entombment h ALTDORFER, Albrecht The Entombment h c. 1516 Oil on wood, 70,5 x 37,3 cm Kunsthistorisches Museum, Vienna
4721 The Flagellation of Christ  kjlkljk ALTDORFER, Albrecht The Flagellation of Christ kjlkljk 1518 Ol on wood Augustiner Chorherrenstift, St Florian bei Linz
4724 The Martyrdom of St Florian ALTDORFER, Albrecht The Martyrdom of St Florian c. 1530 Oil on wood, 76 x 67 cm Galleria degli Uffizi, Florence
4720 The Resurrection of Christ  jjkk ALTDORFER, Albrecht The Resurrection of Christ jjkk c. 1516 Oil on wood, 70,5 x 37,3 cm Kunsthistorisches Museum, Vienna

ALTDORFER, Albrecht
German Northern Renaissance Painter, ca.1480-1538 Albrecht Altdorfer (c. 1480 near Regensburg ?C 12 February 1538 in Regensburg) was a German painter, printmaker and architect of the Renaissance era, the leader of the Danube School in southern Germany, and a near-contemporary of Albrecht D??rer. He is best known as a significant pioneer of landscape in art. He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. [1] He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.
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